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              <text>    5.2    2019oh0166_qsosalli0002 Interview with Yvonne Porcella, August 9, 2003 2019oh0166_qsosalli0002 0:21:49     qsosalli Quilt Alliance’s Quilters' S.O.S.- Save Our Stories Oral History Project: Alliance Raffle Quilt Louie B. Nunn Center for Oral History, University of Kentucky Libraries    Quilts Quilting Women Textiles Textile artists Artists Decorative arts Crafts &amp;amp ;  decorating Performing arts Visual arts Storytelling Women in quilting Stories Visual storytelling Craftwork Artistry Symbols Quilt symbolism Creative processes  Creativity Yvonne Porcella Karen Musgrave 2019oh0166_qsosalli0002_porcella_acc001.mp3       0   https://oralhistory.uky.edu/spokedbaudio/2019oh0166_qsosalli0002_porcella_acc001.mp3  Other       NULL audio          1 Symbolism of the Quilt Alliance raffle quilt   And that was my grandmother's house.   Porcella talks about the different pieces of the quilt and what each symbol means to her. She discusses the meaning of the flowers, geometric shapes, and other artistic symbols which are present on the quilt. Porcella also discusses how the quilt is a symbol for Quilt Alliance group through other symbols, such as needles, Quilt S.O.S in Morse code, and American stars and stripes.    Artistry ; Creative processes ; Geometric shapes ; Quilt artistry ; Quilt creations ; Quilt symbolism ; Roses ; Symbols   Calla lilies ; Crafts &amp;amp ;  decorating ; Decorative arts ; Needlework ; Quilting ; Quilts ; Textile artists ; Textiles ; Women     17     https://i.pinimg.com/564x/f7/ab/5d/f7ab5d6eaaa726764c4b51024f31b2af.jpg The Quilt Alliance's 2003 raffle quilt, titled &amp;quot ; The Voice of You and Me&amp;quot ;      677 Thoughts on the raffle quilt collaboration    So how do you feel about the collaboration?   Porcella discusses the collaboration of the quilt. She talks about her desire to give every person who worked on the collaboration a voice within the quilt and how the quilt preserves the Alliance’s story through its symbolism and collaborative nature. The interviewer discusses her contributions to the quilt and her creative process in creating her contribution.   Artistry ; Collaborations ; Creative processes ; Quilt creation ; Stories ; Women in quilting   Decorative arts ; Folk art ; Quilting ; Quilts ; Storytelling ; Textile artists ; Textiles ; Women ; Women’s voices     17             1018 Quilts as a visual art   The, the--&amp;quot ; Waiting for Pink Linoleum&amp;quot ;  and &amp;quot ; It's All in the Timing&amp;quot ;  is all about the conflict between performing arts and visual arts. And quilts are considered visual art.    Porcella talks about the differences between the visual and performing arts, the latter of which she believes is more collaborative in nature than the former. She believes the visual arts must have a stronger and more captivating voice than performing arts because of the static nature of visual artistry.   Artistic voices ; Artistry ; Collaborations ; Creativity ; Women in quilting   Artists ; Performing arts ; Quilting ; Quilts ; Textile artists ; Visual arts ; Women’s voices     17             1106 Storytelling qualities of quilts   So, um, as I say, &amp;quot ; The Voice of You and Me&amp;quot ;  could be eh--uh--it, it, it's so many--it encompasses so many people.    The interviewer and Porcella discuss the storytelling nature of quilting and how these stories should be preserved by written word. They discuss the mission of the Quilt Alliance’s raffle quilt and what it means to quilters and their communities in terms of artistry and storytelling.   Artistry ; Quilt preservation ; Stories ; Story preservations   Artists ; Quilting ; Quilts ; Storytelling ; Textile artists ; Women     17     https://3.bp.blogspot.com/-9uruTX4Q-Qw/UBYR6YEilqI/AAAAAAAAUmA/iVzrslALoIY/s1600/IMG_2197.JPG Yvonne Porcella, next to one of her quilts     interview Karen Musgrave interviews Yvonne Porcella, a member of the Quilters Hall of Fame, about the 2003 Quilt Alliance's raffle quilt. Porcella describes her artistic contributions to the quilt's design and what they mean to her, personally. She also discusses quilting as an art form and the importance of visual storytelling within the art of quilting.   No transcript.   All rights to the Quilters' S.O.S. -- Save Our Stories (QSOS) oral history project, including but not restricted to legal title, copyrights and literary property rights, have been transferred from the Quilt Alliance to the University of Kentucky Libraries. Please contact the Louie B. Nunn Center for Oral History regarding rights pertaining to individual interviews. audio Interviews may only be reproduced with permission from Louie B. Nunn Center for Oral History, University of Kentucky Libraries. 0 https://nunncenter.net/ohms-spokedb/render.php?cachefile=2019oh0166_qsosalli0002_porcella_ohm.xml 2019oh0166_qsosalli0002_porcella_ohm.xml   https://kentuckyoralhistory.org/ark:/16417/xt7163hs3xzqx  </text>
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              <text>    5.2    2019oh0165_qsosalli0001 Interview with Suzanne Staud, August 7, 2003 2019oh0165_qsosalli0001 0:11:39     qsosalli Quilt Alliance’s Quilters' S.O.S.- Save Our Stories Oral History Project: Alliance Raffle Quilt Louie B. Nunn Center for Oral History, University of Kentucky Libraries    Quilts Quilting Textiles Decorative arts Crafts &amp;amp ;  decorating Textile artists Creative ability Folk art Inspirations Folk artists Quilters Artistic influences Artistry Personal contributions Creative processes Women in quilting Suzanne Staud Karen Musgrave 2019oh0165_qsosalli0001_staud_acc001.mp3       0   https://oralhistory.uky.edu/spokedbaudio/2019oh0165_qsosalli0001_staud_acc001.mp3  Other       NULL audio          14 Introduction   This is Karen Musgrave, I’m conducting a Quilter’s S.O.S. Save our Stories interview with Suzanne Staud.   The interviewer, Karen Musgrave, introduces the subject of her interview done for the Quilter’s S.O.S. (Save Our Stories) Project, Suzanne Staud. The interview takes place in San Francisco, California.              17             30 Her contribution to the Quilt Alliance raffle quilt   So tell me about your contribution to the Alliance raffle quilt.     Staud discusses how she became involved with the Alliance raffle quilt project. She talks about her love of folk art, which led to her love of quilts and her quilting. She cites the quilts of Harriet Powers in particular as an inspiration for her participation in the Alliance raffle quilt and how she went about creating her contribution to the quilt. She describes various parts of the quilt and how she created them and what inspired each individual part. Staud talks about what she likes the most about the quilt.    Creative processes ; Creativity ; Fabrics ; Powers, Harriet ; Quilt Alliance ; Quilt inspirations ; Quilt makers ; Quilt making ; Women in quilting   Birds ; Crafts &amp;amp ;  decorating ; Creative ability ; Decorative arts ; Folk art ; Quilting ; Quilts ; Textile artists ; Textiles     17             485 Personal feelings about the quilt   How do you feel about the quilt?    Staud discusses her personal feelings about the Alliance raffle quilt. She talks about the specific aspects of the quilt she enjoys.    Artistic contributions ; Artistry ; Personal contributions ; Personal enjoyment ; Personal feelings ; Quilt Alliance   Crafts &amp;amp ;  decorating ; Decorative arts ; Quilting ; Quilts ; Textile artists ; Textiles     17             591 Inspirations for her contribution to the Quilt Alliance raffle quilt   So tell me more about the, the quilt that you drew inspiration from.     Staud describes how a quilt by the quilter Harriet Powers, a folk artist and slave from rural Georgia, influenced her design for the Alliance raffle quilt.    Artistic influences ; Artistry ; Folk artists ; Inspirations ; Natural imagery ; Powers, Harriet ; Quilt Alliance ; Quilt artists ; Quilters   Crafts &amp;amp ;  decorating ; Decorative arts ; Folk art ; Powers, Harriet, 1837-1910 ; Quilting ; Quilts ; Textile artists ; Textiles     17             interview Karen Musgrave interviews Suzanne Staud, a quilt maker, for the Quilt Alliance's Quilters' S.O.S. Project. Staud discusses her personal contributions to the Quilt Alliance's raffle quilt for their 2003 conference in San Francisco, California. She talks about her inspiration for the quilt, Harriet Powers, and her love of folk art. She details individual parts of her quilt and the inspirations for each part. She then talks about her personal feelings about the raffle quilt as a whole and further details how she was influenced by folk artist Harriet Powers.   No transcript.   All rights to the Quilters' S.O.S. -- Save Our Stories (QSOS) oral history project, including but not restricted to legal title, copyrights and literary property rights, have been transferred from the Quilt Alliance to the University of Kentucky Libraries. Please contact the Louie B. Nunn Center for Oral History regarding rights pertaining to individual interviews. audio Interviews may only be reproduced with permission from Louie B. Nunn Center for Oral History, University of Kentucky Libraries. 0 https://nunncenter.net/ohms-spokedb/render.php?cachefile=2019oh0165_qsosalli0001_staud_ohm.xml 2019oh0165_qsosalli0001_staud_ohm.xml   https://kentuckyoralhistory.org/ark:/16417/xt7163hs3xzqx  </text>
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