Joyce Saia

Joyce Saia

TX77010-047

audio

Joyce Saia

Loveeta Golightly

2011-11-05

Diane Metts

Houston, Texas

Lavita Golightly (LG): Joyce, will you tell us about the quilt you brought today?

Joyce Saia (JS): Well, my quilt is called "Logs and Leaves" because obviously I've got the Log Cabin blocks and the leaves in the border. It's 80" by 80" and I made this in Beaumont. Actually, I finished it in Beaumont, Texas but I made most of it while I was on the road. Every year my husband and I travel for about four and a half months in the motor home. I always take my sewing machine and my supplies and as much fabric as I can sneak on board. This particular quilt I made in 2009. I knew that I wanted to make a log cabin quilt and I had a collection of Cherrywood fabrics. Before we went on the trip, I cut a whole bunch of fabric strips. So I just took strips, I didn't have to take a bunch of fabric with me on the road. I made myself a block and copied it on paper foundations and took that with me. On the road, anytime we would stop for a couple of days, I would sew. I just made blocks most of the summer. When I had them about done and when I got to Pasco, Washington, I have a daughter in Pasco who quilts; we went to her Bernina store or the one where she frequents. They happened to have this embroidery pattern that was with leaves called "Colors of Autumn". The rest of the way I embroidered. But first I didn't have enough fabric to make the border out of. So we ran to Anacortes, Washington and I had the number for Cherrywood. I called Cherrywood fabrics and talked to Carla there and said I needed some yardage quickly because we were moving. I couldn't stand and wait for mail to come. I didn't know for sure what color, but I thought chocolate brown was safe, I know what color that was. I asked her for chocolate brown. She shipped two yards of chocolate brown to me by priority mail. She sent it that day and I had it about two days later and then of course went to a laundromat and washed the fabric. I ironed it and then started cutting it into strips to make the border. The embroidery design I just made up as I went along. I put one design in the center and then I just made four borders the same. I couldn't put it together on the trip because I can't put a big quilt together in my motor home. I had it all ready to go for when I got home. Then I put the quilt together and did the border. For the binding I found a stripe that was the perfect coloring. I found the embroidery design that seemed to just match it perfect. It's actually appliquéd but it has embroidery on it. It's one of my favorite quilts. I got the best of show in our Golden Triangle quilt guild. Also in 2010 in March I got second place in Dallas. In May I got first place at the Denver National Quilt show with this quilt. I love the colors and I have had it several shows. I had it in the Houston show. I didn't win there but I thought it looked good.

LG: You said that you did your sewing on the road. Did you do your quilting on the road?

JS: I did put the center of the quilt together on the road but I couldn't layer it and quilt it until I got home because I don't have any place that big in the motor home where I can work. When I was traveling I have gone to quilt shops where they would let me use a table or something but I just waited until I got home to do it. Actually I made two quilts on the road that year and put them together when I got home. I always have several tops done by the time I'm done on the road.

LG: When you quilt the quilts at home do you do it on your machine?

JS: Yes

LG: Do you use a long arm machine?

JS: No, I have a Bernina home machine. With the embroidery I used a 730. Everything was done on it. I quilted the log cabins in the ditch because I thought about putting a design on it like some leaves or something but I just like it plain like it is. Then I thought I did enough quilting in the border, free motion quilting besides the embroidery design.

LG: You described your travels. Does this quilt have special meaning to you about your travels or something else?

JS: It was serendipitous to happen to find that embroidery with it together. I traveled to Beaumont and Houston of course to see it when it was here. It was just fun to do on the road. The fact that I was able to get the fabric from Cherrywood was luck.

LG: You said you go to quilt shows and you go to see your quilts at quilt shows. What do you think that people say about you as a quilter when they see your quilt?

JS: Mostly the color, the comments most people make is they like the color. They're bright, that's just the comment most people make.

LG: How do you use this quilt?

JS: Well right now it's put in my armoire with my collection [laughing.] I haven't put it on the bed or anything yet because I'm showing it places.

LG: Any plans in the future to put it on the bed or the wall?

JS: Oh yes. I will. Probably one of my daughters will get it. I don't sell my quilts, but I make a lot of them. Mostly I give them to family or quite often I will donate them to auctions. A lot of them have gone to the quilt guild auction or to different charities. I just donated one to "Some Other Place" in Beaumont for a shelter where they feed people that are in from out of town that need help. I donated one to them recently for their raffle.

LG: Tell me about your interest in quilt making. How did it begin?

JS: I retired and decided that this was what I wanted to do when I retired. I had sewed before, but I had never quilted before. I didn't have anybody in my family who had quilted at the time but while I was still working my daughter gave me a sewing machine for Christmas once. I thought 'What am I going to do with this?' because I hadn't sewed in a while. But I had a grandson, a small toddler, and I started making clothes for him. I started with little Hawaiian shirts. Then when I retired in 1991 I decided I wanted to quilt and made a quilt out of all of the fabric leftover from the clothes I made for him. I tried to put a star together or something. I realized I was going to need a little more help or at least put a little more thought into it. So I went to a book store and bought something like "quilting in a day". I thought I could make a quilt in one day. I just started by looking in the book and I made lots of quilts. For about five years, I didn't know about the quilt guild. But I went to a quilt show in Beaumont and saw some wonderful quilts and decided that I needed to join the guild because I wanted to show mine. I joined the guild before the next show and put several of my quilts in it. But since I didn't have any formal instruction or anything, I would've have entered them now. I did get honorable mention in that show. The first time I went to the guild they had show and tell, where you got to show all of the things you've been working on. It was so much fun. I was really kicking myself because I hadn't been doing that. Then I discovered that they have classes and experts come in from afar that come in and give classes. Then I just started taking a lot of classes. I had already about 25 quilts done before I ever took any lessons. But then I learned that you're supposed to have really quarter-inch seams. I learned kind of what the rules are even though they say that there are no rules. The guild was a revelation how good it was. Now I'm in several guilds. I'm in a bee, "Happy Scrappers". In Beaumont we live close to Louisiana, so our guild and our bee have people who are from both Texas and from Louisiana. In our bee, we meet at different people's houses. We'll go about 50 miles in about any direction to get to someone's house to have these meetings. It's fun and our guild has a show every two years. We are having one in February and we have an auction every other year. Everybody donates quilts to the auction and that's to raise money so we can have those instructors come from other locations. Between those two and traveling to Houston and Denver and any other quilt show I can find, I spend a lot of time quilting. Everyday, probably for four or five hours anyway. I get a lot done. People always wonder how I get so much done. Partly because I have a wonderful husband who cooks and is very supportive of my quilting. He doesn't complain if I buy fabric. He teases me, but I don't have to sneak it into the house like some people do.

LG: You must have a lot of friendships from all of the quilting with your bee and your guild and all of your traveling.

JS: I do. I have a lot of friends in the guild and our bee. They're all pretty close. We keep expanding because so many people want to get in it. We have 30 members in our bee. That's the one where some of them are in Louisiana and some are in Texas. I have two daughters. One of them lives near me. She doesn't quilt, but she's very interested. She comes to Houston to these classes. She takes classes in painting and dying fabrics and silk painting. I have a daughter Linda who lives in Pasco, Washington. She's a quilter. I didn't teach her to quilt because I didn't quilt when she was at home. I didn't start until later and then I must have inspired her to start quilting. She's quite an accomplished quilter too. We call each other and talk about quilting. My whole family really gets involved in it. Even though I never had anybody before that quilted in my family, now I do --

LG: When I looked up your information online to see what I could find out about you, I saw a number of other quilts. You seem to have won a number of awards from other quilts as well. Tell us about that.

LS:I won quite a few. Most of the quilts I make could be called Art Quilts. I do this Art Nouveau. It's in the designs of Alfonse Mucha. I don't know if you're familiar with Mucha but he made lithographs of beautiful women surrounded by flowers with flowers in their hair. There's a lot of symbolism around it. I started doing those from pictures. Mucha was very prolific. There are a lot of sources for his design and they're hard to copy because they are so old. You can get them in some books that are copyright free. I just copy it. I draw it, I don't trace it or anything. I draw the pattern for the quilts. I try to do it as much like he did as I can and then I appliqué and machine quilt and machine embroidery. I am mostly noted for those because I've done so many. I won at Sulky. The first one I sent, I was an amateur. I got the amateur grand prize in 2001. I won the appliqué division of the Hoffman challenge. In Sulky in other years I've won a grand prize, first, second, and third place. I've had several of the Sulky prizes. In Bernina in 2001, my Bernina dealer wanted to take one of my quilts to Bernina University where they have a convention every summer. She took one of my quilts and entered it. This was called "Nocturnal Slumber". It won the grand prize in the Bernina contest in 2001. I thought it might be better to bring more traditional quilts to this interview.

LG: You have a quilt here entered here at Houston in the Lone Star. Tell us about that.

JS: That one is a pineapple design. The design was from a drawing from a Jane Hall and Dixie Haywood book, Foundation for Quilts. So from that picture I just figured out how to make this design. It's blue and white pineapple. It's kind of unique because it has a lot of spirals in it. I was kind of surprised when they asked me to send it for the book. It looks great in the book and I'm thrilled.

LG: It's a beautiful quilt.

JS: Thank you.

LG: You told us about your studio and where you sew your quilts, but can you tell us about where you sew at home?

JS: Yes, I have a nice big sewing room that used to be one of my daughter's bedrooms. They went away to college -- When they went away for good, I took one of the room's for my sewing room. At first, there was a bed in there. I told my husband 'Maybe we could put a table over the bed so I have this nice big cutting area and everything.' He said 'Why don't we just take the bed out?' We don't need to have company. If someone comes they can stay at a hotel.' [laughing.] We just took the furniture out and now that's my sewing room. It has book shelves all along one wall. I have lots of shelves. My daughter, Leslie the lawyer, used to have her law books on there. She's long gone and she left her law books there. One day I just decided to move her law books out and put them in boxes. I put all of my fabric there. I just love it. I have it all folded up on those shelves so you can see.

LG: Do you have a design wall?

JS: I have a design wall. I have two big foam boards that are both 4" by 8" so together they're big enough for a big quilt. I couldn't do without a design wall. I put them up and put them together on the design wall. To make the Muchas I put up the background and then I put a plastic sheet over it with a drawing on it. Then I put the applique onto the background. I couldn't do with a design wall. That's one problem I have when I'm on the road traveling because I don't have the design wall so a lot of times I just make blocks. I can work on these Mucha quilts because they're smaller. I manage for four and a half months in the motor home.

LG: I want to talk about a different aspect of quilting, the design aspects. What do you think makes a great quilt?

JS: Of course, it has to be the impact. The most important thing that the judges think too is the impact. I like all kinds of quilts. But I think probably the colors are one of the most important things.

LG: What do you think makes a great quilt maker?

JS: Practice [laughing.] Real interest. Going to classes like Diane Gaudynski. Quilting like Gaudynski like a lot of them do.

LG: Have you been influenced or inspired by other quilt makers? Who are they?

JS: When I first started, I didn't know any. But then I did get inspired by Hollis Chatelain,
Diane Gaudynski, Carol Bryer Fallert. Right now I think David Taylor is terrific. I like to do his kind of work. Today I'm taking a class with Pam Holland and I think she's terrific. I like about every aspect of it I guess.

LG: Why's quiltmaking important to you?

JS: First of all, it's what I do since I retired. I had to have something to do. I think that this is the perfect thing. You can do art, paint it, draw it and you can dye it. It's such a pleasure to have something to do every day like that. I get up first thing in the morning and the first thing I do is walk into my sewing room and look at what I'm working on. Then I go make some coffee and then I go back and start sewing. I'll sew until noon, then I'll usually sew in the afternoon. We go to the gym and then come back and I'll be sewing again. It's mostly because it just keeps me busy all of the time.

LG: In what way do you think that quilts have special meanings for women in women's lives in America in particular?

JS: That's a good question [laughing.] It's something that is really ours. There are a lot of men in it and they're really good, but I think that it's something that women feel that they can really get involved in and get so much companionship from it. It's all so exciting because you can all take the same design and every quilt is going to be different: Unless you're just working from a kit or something. You just make wonderful friends, too.

LG: Do you use technology in your quilting? A lot of people use computers.

JS: I try. I'm not really computer literate but I use my computer with my embroidery and transfer designs to the machine and everything. I have all of the equipment I could do to design quilts on the computer. I don't really do that. I leave that for people who really know more about computers.

LG: What do you think is the biggest challenge for quilters today?

JS: The biggest challenge --

LG: What do you think is your biggest challenge?

JS: My biggest challenge is the quilting design. Once I get the quilt done, I don't usually know how I'm going to quilt it until it's done. Then I sit there and think. It's like I've never quilted before because I'll sit there and wonder what I'm going to do with it. That's my biggest challenge.

LG: Do you spend some time letting the quilt speak to you?

JS: I do. Sometimes I put it up on the design wall and I have to wait quite a while before it says anything --

LG: Can you tell us about something that has happened in all of your travels to various shows, shops, and quilt making that you thought was a hilarious or amusing thing that happened? Maybe a conversation overheard or something else, anything that stuck in your mind over the years?

JS: There have been so many [laughing.] I have so many stories that have been so exciting, but I'm blanking --

LG: Let me ask you another thing. Have you taught any of your daughters, granddaughters, or grandsons, or anyone else how to quilt?

JS: I only have one grandson and I haven't taught him to quilt, but I have made quilts for him. He loves them. They have a lot of cats and when he was about three, I made a quilt for him with a lot of cats called 'Too Many Cats'. I had pictures of him with the cats when he was three looking so cute. When he was seven, I made him an X-Men quilt. His favorites were the X-Men and he used to have all of these little action figures so I made a quilt that had all of those action figures on it. I had it in our local show because I had just made it for him. I did some designs from a deck of cards and that had all of these X-men on it, but I never put it in a big show because I wasn't sure about the copyright and it was just for him that I made it. That did win a prize in our local show. He was just so thrilled to get that. Also, I made him another one that was Indonesian batik designs. It was supposed to be a monkey dancer. The art museum had asked for some of our quilts during one of our shows so I had this in the art museum. There was a man that wanted to buy it. The museum told me that this man really wanted to buy that quilt. I said I couldn't sell it because I had made it for my grandson. I told my grandson about this and said 'Listen, this man wanted to buy your quilt'. He was silent for a little while and he said 'How much was he gonna pay?' [laughing.] So it didn't mean as much to him than it did to me probably.

LG: You said you were in guilds and you indicated that you had been on guild boards. I wondered what kind of work you did with guild boards.

JS: I haven't been a board member or anything because I'm gone so much of the year that I can't spend the whole year doing this but I do co-chair the boutique in our quilt show. I don't have to be there year-round to do that. A friend of mine and I do boutique for the quilt show, so that's about the extent of that.

LG: Is there anything that I have not asked you that you really particularly want to share with someone who might be interested in your quilting or quilting in general?

JS: I really am a blank [laughing].

LG: Okay. I think we have come close to the end of our interview time and you've answered a whole lot of my questions very nicely.

JS: When I travel, I take a journal. I've been doing this for about 15 years. Every year I have a journal with all of the things that happened. When I first started it I told my husband I was writing a journal because we will never remember what we did on all of these trips. Every fall I get out a journal and start reading about what I did.

LG: That's good. This will conclude our interview. I'd like to thank Joyce Saia for allowing me to interview her today for the Quilter's S.O.S-Save Our Stories Oral History Project. Our interview concluded at 11:45. Thank you.

5.1 Joyce Saia TX77010-047Saia Quilters' S.O.S. -- Save Our Stories The International Quilt Festival QSOS Quilt Alliance Joyce Saia Loveeta Golightly TX77010-047Saia.mp3 1:|5(15)|12(14)|19(5)|26(13)|32(10)|40(8)|57(15)|66(13)|74(7)|86(5)|95(8)|103(12)|110(10)|117(15)|124(8)|130(8)|140(11)|150(3)|158(10)|163(11)|168(7)|176(9)|190(7)|198(2)|207(8)|217(13)|228(4)|235(16)|244(6)|251(9)|260(12)|274(5)|285(9)|294(2)|300(5)|310(2)|318(2)|329(6)|344(2)|355(7) 0 http://quiltalliance.org/wp-content/uploads/2015/06/TX77010-047Saia.mp3 Other audio 4 Introduction This is Lavita Golightly, and today's date is November the 5th, 2011. Lavita Golightly introduces herself, the interviewee, Joyce Saia, and the project Quilters' SOS. International Quilt Festival 17 31 Tell me about the quilt you brought in today. Joyce, will you tell us about the quilt you brought today? Joyce describes her touchstone quilt, which is called a logs and leaves quilt, and is a log cabin quilt. She says that she made the quilt while travelling with her husband. She goes on to describe her process for quilt-making while on the road, and the technical process of making the quilt. She then discusses the quilt's performance in various quilt shows. Fabric/Quilt shops ; Log Cabin - quilt pattern ; Quilt shows/exhibitions ; Strip/string piecing Travel 17 524 What do you think someone viewing your quilt might conclude about you? What do you think people say about you when they see your quilts? Joyce discusses public perception of her quilts. She says that the primary public interest in her quilts is for the colors she uses in her pieces. Quilt Purpose - Exhibition Quilts--United States--Exhibitions 17 557 How do you use this quilt? How do you use this quilt? Joyce says that her touchstone quilt is currently being kept put away while it is being shown at quilt exhibitions, and later she expects to use it as a bedcovering. She goes in to talke about how she uses other quilts she has made. She says she gives many to family and to various charity organizations. Quilt Purpose - Bedcovering ; Quilt Purpose - Charity ; Quilt shows/exhibitions ; Quilts as gifts 17 632 Tell me about your interest in quiltmaking. Tell me about your interest in quilt-making - how did you begin? Joyce explains how she began quilt-making. She says that she began quilting in 1991 following her retirement. She describes her do-it-yourself method of teaching herself to quilt, until she joined a quilting guild, where she says she learned the rules of quilting. She goes on to talk about the guilds and groups of which she is a part, as well as how her family supports her quilting practice. Home sewing machine ; Quilt guild ; Quiltmaking for family Retirement ; Women in guilds 17 969 Are there other quiltmakers among your family or friends? Please tell me about them. You must have a lot of friendships from all the quilting that you've done. Joyce discusses the relationships she has created through quilting. She talks about the organizations that she is involved with, as well as the quilting relationships she has built with her family members since starting quilting. Generational quiltmaking Interstate agencies ; Travel ; Women in guilds 17 1075 Awards You seem to have won a number of awards for a number of other quilts as well, tell us about that. Joyce describes the style of her quilts and her inspirations. She goes on to list some of the recognition she has received for her work. applique ; Art quilts ; Embroidery machine ; Machine quilting ; Quilt competitions ; Quilt Purpose - Home decoration ; Quilt shows/exhibitions Art nouveau 17 1351 Describe your studio/the place that you create. You told us about where you sew on the road, can you tell us about where you sew at home? Joyce describes her home studio space, which she says is a converted bedroom in her home where she works and stores her materials. Design Wall ; Work or Studio space Artists' studios 17 1536 What do you think makes a great quilt? What do you think makes a great quilt? Joyce says that great quilts have an impact on viewers and judges, but that she enjoys a wide variety of quilts, and she is drawn to the colors of quilts. Quilt shows/exhibitions 17 1567 What makes a great quiltmaker? What do you think makes a great quilt maker? Joyce explains that for her, being a good quiltmaker requires practice, interest, and learning from other quiltmakers. Learning quiltmaking ; quiltmaking process 17 1602 Which artists have influenced you? Well have you been influenced or inspired by other quilters Who are they? Joyce lists quiltmakers who inspire and influence her work, including Hollis Chatelain, Diane Gaudynski, Caryl Bryer Fallert, David Taylor, and Pam Hall. Learning quiltmaking ; professional quiltmaker Quiltmakers 17 1650 Why is quiltmaking important to your life? Why is quiltmaking important to you now? Joyce explains the importance of quiltmaking for her. She says the importance can be tied in large part to the time she dedicates to quiltmaking. She says it is a primary activity of hers in her retirement. Retirement 17 1731 In what ways do you think quilts have special meaning for women's history in America? In what way do you think quilts have special meaning for women, and women's life in America in particular? Joyce talks about the significance of quilting for women in the US. She says that quilting fosters women's creativity and companionship. Women in guilds 17 1803 Have advances in technology influenced your work? If so, how? Do you use technology in your quilting? Joyce explains her relationship with technology in quilting. She says that although technology is not a major component of her quilting practice, she does use it for some things, such as embroidery. Embroidery machine ; Technology in quiltmaking Computers ; Embroidery 17 1852 What do you think is the biggest challenge confronting quiltmakers today? What do you think is the biggest challenge for quiltmakers today? What is your biggest challenge? Joyce says that one of the challenges she faces in her quiltmaking process is deciding, planning, and carrying out the quilting process. Design process ; Design Wall 17 1920 Tell me about an amusing experience that has occurred from your quiltmaking? Can you tell us about something that has happened during your travels to various shows and shops, and quiltmaking that you felt was a really hilarious, amusing thing that happened? Joyce tries to think of a story that was amusing during her quilting experience, and she says she found it difficult to pinpoint a specific story, because there have been so many. 17 1972 Teaching quiltmaking Have you taught any of your daughters, or granddaughters, or grandsons, or other people to quilt? Joyce says that although she has not taught her family members how to quilt, she does make quilts for her family, particularly her grandson. She tells a story of how at a show someone tried to purchase a quilt she'd made for him, and when she told him, he revealed that he was less attached to the quilt than she was, and that he would have been willing to sell it. Generational quiltmaking ; Quilt shows/exhibitions ; Quilts as gifts ; Selling quilts ; Teaching quiltmaking Children's quilts ; Quilt dealers 17 2141 Guild Leadership You said you were in guilds, and you indicated that you had been on guild boards, and I wondered what kind of work you did with guild boards? Joyce talks about her experience serving as co-chair of her guild's boutique. Guild activities ; Guild leadership ; Quilt guild Women in guilds 17 2205 Additional Comments Is there anything that I have not asked you that you really want to share with someone who might be interested in your quilting and in quilting in general? Joyce talks about her traveling journal that she writes in when she takes road trips with her husband, and it is in these journals where she keeps many of her quilting memories. Diaries ; Travel 17 Oral History Loveeta Golightly (LG): Joyce, will you tell us about the quilt you brought today? Joyce Saia (JS): Well, my quilt is called “Logs and Leaves” because obviously I’ve got the Log Cabin blocks and the leaves in the corner. It’s 80” by 80” and I made this in Beaumont. Actually, I finished it in Beaumont Texas but I made it a lot while I was on the road. Every year my husband and I travel for about four and a half months in the motor home. I always take my sewing machine and my supplies and as much fabric as I can sneak on board. This particular year I made it in 2009 I knew that I wanted to make a log cabin quilt and I had a collection of cherry wood fabrics. Before we went on the trip, I cut a whole bunch of fabric strips. So I just took strips, I didn’t have to take a bunch of fabric with me on the road. I made myself a block and copied in on paper foundations and took that with me. On the road, anytime we would stop for a couple of days, I would sew. I just made blocks most of the summer. When I had them about done and when I got to Pascoe Washington, I have a daughter in Pascoe who quilts ; we went to her Bernina store or the one where she frequents. They happened to have this embroidery pattern that was with these leaves called “Colors of Autumn”. The rest of the way I embroidered. But first I didn’t have enough fabric to make the border out of. So we ran to Anacortes, Washington and I had the number for Cherry wood. I called c wood fabrics and talked to Carla there and said I needed some yardage quickly because we were moving. I couldn’t stand and wait for mail to come. I didn’t know for sure what color, but I thought chocolate brown was safe, I know what color that was. I asked her for chocolate brown. She shipped two yards of chocolate brown to me and by priority mail. She sent it that day and I had it about two days later and then of course went to a laundromat and washed the fabric in the Laundromat. I ironed it and then started cutting it into strips to make the border. The embroidery design I just made as I went along. I put one in the center and then I just made four corners the same. I couldn’t put it together on the trip because I can’t put a big quilt together in my motor home. I had it all ready to go for when I got home. Then I put the quilt together and did the border. For the binding I found a stripe that was the perfect coloring. I found the embroidery design that seemed to just match it perfect. It’s actually appliquéd but it has embroidery on it. It’s one of my favorite quilts. I got the best of show in our Golden Triangle quilt guild. Also in 2010 in March I think I got second place in Dallas. In May I got first place at the Denver National Quilt show with this quilt. I love the colors and I have had it several shows. I had it in the Houston show. I didn’t win there but I thought it looked good. LG: You said that you did your sewing on the road. Did you do your quilting on the road? JS: I did put the center of the quilt together on the road but I couldn’t layer it and quilt it until I got home because I don’t have any place that big in the motor home where I can work. When I was traveling I have gone to quilt shops where they would let me use a table or something but I just waited until I got home to do it. Actually I made two quilts on the road that year and put them together when I got home. I always have several tops done by the time I’m done on the road. LG: When you quilt the quilts at home do you do it on your machine? JS: Yes LG: Do you use a long arm machine? JS: No, I have a Bernina home machine. With the embroidery I used a 730. Everything was done on it. I quilted the log cabins in the ditch because I thought about putting a design on it like some leaves or something but I just like it plain like it is. Then I thought I did enough quilting in the border, free motion quilting besides the embroidery design. LG: You described your travels. Does this quilt have special meaning to you about your travels or something else? JS: It was serendipitous to happen to find that embroidery with it together. I traveled to Beaumont and Houston of course to see it when it was here. It was just fun to do on the road. The fact that I was able to get the fabric from Cherry Wood. I’ve only had it for a year or two. LG: You said you go to quilt shows and you go to see your quilts at quilt shows. What do you think that people say about you as a quilter when they see your quilt? JS: Mostly in the color, the comments most people make is about the color. They’re bright, that’s just the comment most people make. LG: How do you use this quilt? JS: Well right now it’s put in my armoire with my collection [laughing.] I haven’t put it on the bed or anything yet because I’m showing it places. LG: Any plans in the future to put it on the bed or the wall? JS: Oh yes. I will. Probably one of my daughters will get it. I don’t sell my quilts, but I make a lot of them. Mostly I give them to family or quite often I will donate them to auctions. A lot of them have gone to the quilt guild auction or to different charities. I just donated one to a place in Beaumont for a shelter where they feed people that are in from out of town that need help. I donated one to them recently for their auction. LG: Tell me about your interest in quilt making. How did it begin? JS: I retired and decided that this was what I wanted to do when I retired. I had sewed before, but I had never quilted before. I didn’t have anybody in my family who had quilted at the time but while I was still working my daughter’s family gave me a sewing machine for Christmas once. I thought ‘What am I going to do with this?’ because I hadn’t sewed in a while. But I had a grandson, a small toddler, and I started making clothes for him. I started with little Hawaiian shirts. Then when I retired in 1951 I decided I wanted to quilt and make a quilt out of all of the fabric leftover from the clothes I made for him. I tried to put a star together or something. I realized I was going to need a little more help or at least put a little more thought into it. So I went to a book store and bought something like “quilting in a day”. I thought I could make a quilt in one day. I just started by looking in the book and I made lots of quilts. For about five years, I didn’t know about the quilt guild. But I went to a quilt show in Beaumont and saw some wonderful quilts and decided that I needed to join the guild because I wanted to show mine. I joined the guild for the next show and put several of my quilts in it. But since I didn’t have any formal instruction or anything, I would’ve have entered them now. I did get honorable mention in that show. Then I joined the guild. The first time I went they had show and tell, where you got to show all of the things you’ve been working on. It was so much fun. I was really kicking myself because I hadn’t been doing that. Then I discovered that they have classes and experts come in from afar that come in and give classes. Then I just started taking a lot of classes. I had already about 25 quilts done before I ever took any lessons. But then I learned that you’re supposed to have really ___ seams. I learned kind of what the rules are even though they say that there are no rules. The guild was a revelation how good it was. Now I’m in several guilds. I’m in a bee. I have a bee. In Beaumont we live close to Louisiana, so our guild and our bee has people who are from both Texas and from Louisiana. In our bee, we meet at different people’s houses. We’ll go about 50 miles in about any direction to get to someone’s house to have these bees. It’s fun and our guild has a show every two years. We are having one in February and we have an auction every other year. Everybody donates quilts to the auction and that’s to raise money so we can have those instructors come from other locations. Between those two and traveling to Houston and Denver and other quilt show I can find, I spend a lot of time quilting. Everyday, probably for like four or five hours anyway. I get a lot done. People always wonder how I get so much done. Partly because I have a wonderful husband who cooks and is very supportive of my quilting. He doesn’t complain if I buy fabric. He teases me, but I don’t have to sneak it into the house like some people do. LG: You must have a lot of friendships from all of the quilting with your bee and your guild and all of your traveling. JS: I do. I have a lot of friends in the guild and our bee. They’re all pretty close. We keep expanding because so many people want to get in it. We have 30 members in our bee. That’s the one where some of them are in Louisiana and some are in Texas. I have two daughters. One of them lives near me. She doesn’t quilt, but she’s very interested. She comes to Houston to these classes. She takes classes in painting and dying fabrics and silk paneling. I have a daughter Linda who lives in Pascoe Washington. She’s a quilter. I didn’t teach her to quilt because I didn’t quilt when she was at home. I didn’t start until later and then I must have inspired her to start quilting. She’s quite an accomplished quilter too. We call each other and talk about quilting. My whole family really gets involved in it. Even though I never had anybody before that quilted in my family, now I do -- LG: When I looked up your information online to see what I could find out about you, I saw a number of other quilts. You seem to have won a number of awards from other quilts as well. Tell us about that. LS:I won quite a few. Most of the quilts I make could be called Art Quilts. I do this Art nouveau. It’s in the designs of Alfons Mucha. They’re all [inaudible.] I don’t know if you’re familiar with Mucha but he made beautiful women surrounded by flowers with flowers in their hair. There’s a lot of symbolism around it. I started doing those from pictures. They were very prolific. There are a lot of sources for his design and they’re hard to copy because they are so old. You can get them in some books that are copyright free. I just copy it. I draw it, I don’t trace it or anything. I draw the quilts. I try to do it as much like he did as I can and then I appliqué and machine quilt and machine embroidery. I am mostly noted for those because [inaudible.] I won at Sulky. The first one I sent, I was an amateur. I got the amateur grand prize in 2001. I won the appliqué division of the Hoffman challenge. In sulky in other years I’ve won a grand prize, first, second, and third place. I’ve had several of the sulky prizes. In Bernina in 2001, my Bernina dealer wanted to take one of my quilts to Bernina University where they have a convention every summer. She took one of my quilts and entered it. This was called “Nocturnal Slumber”. It won the grand prize in the Bernina contest in 2001. I thought it might be better to bring more traditional quilts. LG: You have a quilt here entered here at Houston in the Lone Star. Tell us about that. JS: That one is a pineapple design. The design was like a drawing from a Jane Hall and Dixie Haywood book, Foundation for Piecing. So from that picture I just figured out how to make this design. It’s blue and white pineapple. It’s kind of unique because it has a lot of spirals in it. I was kind of surprised when they asked me to set it for the book. It looks great in the book and I’m thrilled. LG: It’s a beautiful quilt. JS: Thank you. LG: You told us about your studio and where you sew your rugs, but can you tell us about where you sew at home? JS: Yes, I have a nice big sewing room that used to be one of my daughter’s bedrooms. They went away to college -- When they went away for good, I took one of the room’s for my sewing room. At first, there was a bed in there. I told my husband ‘Maybe we could put a table over the bed so I have this nice big cutting area and everything.’ He said ‘Why don’t we just take the bed out?’ We don’t need to have company. If someone comes they can stay at a hotel [laughing.] We just took the furniture out and now that’s my sewing room. It has book shelves all along one wall. I have lots of shelves. My daughter, Leslie the lawyer, used to have her law books on there. She’s long gone and she left her law books there. One day I just decided to move her law books out and put them in boxes. I put all of my fabric there. I just love it. I have it all folded up on those shelves so you can see. LG: Do you have a design wall? JS: I have a design wall. I have two big foam boards that are both 4” by 8” so together they’re big enough for a big quilt. I couldn’t do without a design wall. I put them up and put them together on the design wall. I put up the background and then I do a plastic sheet over it with a drawing on it. Then I put the fabric onto the background. I couldn’t do with a design wall. That’s one problem I have when I’m on the road traveling because I don’t have the design wall so a lot of times I just make blocks. I can work on these Mucha quilts because they’re smaller. I manage for four and a half months in the motor home. LG: I want to talk about a different aspect of quilting, the design aspects. What do you think makes a great quilt? JS: Of course, it has to be the impact. The most important thing that the judges think too is the impact. I like all kinds of quilts. But I think probably the colors are one of the most important things. LG: What do you think makes a great quilt maker? JS: Practice [laughing.] Real interest. Going to classes like Diane Gudinski. Quilting like Gudinski like a lot of them do. LG: Have you been influenced or inspired by other quilt makers? Who are they? JS: When I first started, I didn’t know any. But then I did get inspired by Hollis Chatelain, Diane Gudinksi, Carol Bryer Fallert. Right now I think David Taylor is terrific. I like to do his kind of work. Today I’m taking a class with Pam Hall and I think she’s terrific. I like about every aspect of it I guess. LG: Why’s quilt making important to you? JS: First of all, it’s what I do when I retired. I had to have something to do. I think that this is the perfect thing. You can do art, paint it, draw it and you can dye it. It’s such a pleasure to have something to do every day like that. I get up first think in the morning and the first thing I do is walk into my sewing room and look at what I’m working on. Then I go make some coffee and then I go back and start sewing. I’ll sew until noon, then I’ll usually sew in the afternoon. We go to the gym and then come back and I’ll be sewing again. It’s mostly because it just keeps me busy all of the time. LG: In what way do you think that quilts have special meanings for women in women’s lives in America in particular? JS: That’s a good question [laughing.] It’s something that is really ours. There are a lot of men in it and they’re really good, but I think that it’s something that women feel that they can really get involved in and get so much companionship from it. It’s all so exciting because you can all take the same design and every quilt is going to be different: Unless you’re just working from a kit or something. You just make wonderful friends, too. LG: Do you use technology in your quilting? A lot of people use computers. JS: I try. I’m not really computer literate but I use my computer with my embroidery and transfer designs to the machine and everything. I have all of the equipment I could do to design quilts on the computer. I don’t really do that. I leave that for people who really know more about computers. LG: What do you think is the biggest challenge for quilters today? JS: The biggest challenge -- LG: What do you think is your biggest challenge? JS: My biggest challenge is the quilting design. Once I get the quilt done, I don’t usually know how I’m going to quilt it until it’s done. Then I sit there and think. It’s like I’ve never quilted before because I’ll sit there and wonder what I’m going to do with it. That’s my biggest challenge. LG: Do you spend some time letting the quilt speak to you? JS: I do. Sometimes I put it up on the design wall and I have to wait quite a while before it says anything -- LG: Can you tell us about something that has happened in all of your travels to various shows, shops, and quilt making that you thought was a hilarious or amusing thing that happened? Maybe a conversation overheard or something else, anything that stuck in your mind over the years? JS: There have been so many [laughing.] I have so many stories that have been so exciting, but I’m blanking -- LG: Let me ask you another thing. Have you taught any of your daughters, granddaughters, or grandsons, or anyone else how to quilt? JS: I only have one grandson and I haven’t taught him to quilt, but I have made quilts for him. He loves them. They have a lot of cats and when he was about three, I made a quilt for him with a lot of cats called ‘Too Many Cats’. I had pictures of him with the cats when he was three looking all cute. When he was seven, I made him an X-Men quilt. His favorites were the X-Men and he used to have all of these little action figures so I made a quilt that had all of those action figures on it. I had it in our local show because I had just made it for him. I did some designs from a deck of cards and that had all of these X-men on it, but I never put it in a big show because I wasn’t sure about the copyright and it was just for him that I made it. That did win a prize in our local show. He was just so thrilled to get that. Also, I made him another one that was Indonesian batik designs. It was supposed to be a monkey dancer. The art museum had asked for some of our quilts during one of our shows so I had this in the art museum. There was a man that wanted to buy it. The museum told me that this museum really wanted to buy that quilt. I said I couldn’t sell it because I had already made it for my grandson. I told my grandson about this and said ‘Listen, this man wanted to buy your quilt’. He was silent for a little while and he said ‘How much was he gonna pay?’ [laughing.] So it didn’t mean as much to him than it did to me as much probably. LG: You said you were in guilds and you indicated that you had been on guild boards. I wondered what kind of work you did with guild boards. JS: I haven’t been a board member or anything because I’m gone so much of the year that I can’t spend the whole year doing this but I do co-chair the batik in our quilt show. I don’t have to be there year-round to do that. A friend of mine and I do batik for the quilt show, so that’s about the extent of that. LG: Is there anything that I have not asked you that you really particularly want to share with someone who might be interested in your quilting or quilting in general? JS: I really am a blank [laughing] LG: Okay. I think we have come close to the end of our interview time and you’ve answered a whole lot of my questions very nicely. JS: When I travel, I take a journal. I’ve been doing this for about 15 years. Every year I have a journal with all of the things that happened. When I first started it I told my husband to start writing a journal because we will never remember what we did on all of these trips. Every fall I get out a journal and start reading about what I did. LG: That’s good. This will conclude our interview. I’d like to thank Joyce Saia for allowing me to interview her today for the quilter’s S.O.S-Save our Stories Oral History Project. Our interview concluded a11:45. Thank you. JS: That is so wild. When you asked me that last question, I couldn’t think of a thing. LG: What’s your husband’s name again? JS: It’s Joseph Saia. LG: And you mentioned your daughters. How do I spell their names? JS: L-E-S-L-I-E Saia and Linda W-O-O-S-L-E-Y. She’s in Pascoe, Washington and Leslie is in Beaumont. Linda’s a nuclear engineer and Leslie is a lawyer. Her husband is an assistant district attorney. LG: You mentioned an artist in your design. JS: Alfonts Mucha. M-U-C-H-A. LG: You later on mentioned a book. Jane Hall and - JS: Dixie Haywood, and it’s Foundation Piecing but there have been a few of them so I’m not sure which one. 2015 Quilt Alliance. All Rights Reserved. audio 0 http://quiltalliance.net