Cliff Bailey
Photos
Title
Cliff Bailey
Date
01/08/2008
Identifier
2019oh1304_qsosva0008
VA22204-002A
VA22204-002A
Description
In this brief interview with Cliff Bailey, he describes a quilt that he has made that he's fond of, in part because of the nosegay pattern, use of colors, and feed sack fabric. He describes his introduction to quilting by his family, what he likes about quilting, and describes his home studio.
Format
audio
Type
Oral History
Subject
Quilters
Quilting.
Quiltmakers
Quiltmaking
Quilts
Quiltmaking process
Quiltmaking purpose
Interviewee
Cliff Bailey
Interviewer
Le Rowell
Interview sponsor
Nancy O'Bryant Puentes
Location
Arlington, Virginia
Interview indexer
Interview indexed by Zach Sims with the support of the Virginia Quilt Museum
Transcriber
Tina Gordon
Transcription
Le Rowell (LR): This is Le Rowell and today's date is January 8, 2008. It is 11:57 a.m. and I'm conducting an interview with Cliff Bailey for the Quilters' S.O.S. - Save Our Stories, a project of the Alliance for American Quilts, and we are in the fellowship hall of the Unitarian Universalist Church of Arlington in Virginia and this is part of the Day Alliance gathering which you have every month, and my presentation on "Quilts as Diplomacy" [and Oral History".]. So, Cliff, thank you again for volunteering for this demonstration interview. Tell us about the touchtone quilt that you selected to bring today.
Cliff Bailey (CB): Well, I decided to bring this because Le asked me to bring something that meant a lot to me and that represented something about why I quilt. And so, I brought this and the reason I brought it is I like the pattern, I like the colors, and the pattern is called Nosegay. And the nosegay is petals with flowers in them. And so here are the flowers [pointing to the quilt design.], the greenery, and if you come and look at the quilt, the flowers have petals quilted in them and the leaves have leaves quilted in them. There's a spray like baby's breath quilted in at the top. And again, if you'll come and look at it, the reason I chose this is that part of these fabrics are feed sacks. I have fond memories as a little boy going out to feed the chickens at my great aunt's and the chicken feed came in sacks that were printed. I just get a warm fuzzy feeling from it. I collect feed sacks; I have lots of them. I use them in quilts. So, it's a connection to my past and to a place that's long gone. So that's why I chose this quilt.
LR: So, what age did you start quiltmaking?
CB: I was in my, I guess, mid 20s.
LR: And how did you learn?
CB: I learned to sew as a child and then when I was a teenager I started making clothes. And I don't know if you all remember, but in the '50s and '60s it was very--it was just not the thing to do to quilt. Quilting almost died. And then in the late '60s and especially the early '70s, it started coming back and that's when I started quilting.
LR: And how do you use this quilt?
CB: I use it on the bed.
LR: And you plan to continue doing that?
CB: Yes.
LR: Good. [laughs.] What is your first memory of a quilt?
CB: My first memory is going to my great aunt's and going into her spare bedroom and it had her--the shades were drawn and the door was almost always closed and there was this really pretty quilt on the bed in there.
LR: Did you sleep under quilts?
CB: Yes.
LR: Do you remember what kinds of quilts they were?
CB: From one grandmother, they were quilts made out of wool. And from the other side, they were quilts made out of what was then the fabric to have, which was polyester [gasps and laughter from the audience.].
LR: And what do you find most pleasing about quiltmaking?
CB: A lot of things. To me putting together one of this [kind of quilt.] is like solving a puzzle. And I see this puzzle. Like the pieces go into the puzzle and it gets bigger and bigger. And I also like touching fabric. That's how I relate to the world is by touching it. And I like putting it together. I like quilting by hand. Quilting by machine I don't like but quilting by hand I like. And I quilted this quilt. [speaking to the audience.] If you want to look at it, you're welcome to have a look.
LR: And describe your studio at home.
CB: Downstairs we have a big room and one end of the room is my office and the other end is where the TV is, and in the middle of that big room is where I quilt. I have a table that the sewing machine is on when I quilt, and then another table beside it where the--like an assembly area is.
LR: And do you use a design wall?
CB: I tried it and it was too frustrating because it kept falling off [laughter from audience.]. So, I just put it on the floor. There's enough room I can put it on the floor and rearrange things--the blocks the way I want them and then pick them up in some order and sew them together.
LR: Well, Cliff, thank you very much for sharing part of your story with us today. And our interview was concluded at 12:03 p.m. Thank you very much. [applause from the audience.]
Cliff Bailey (CB): Well, I decided to bring this because Le asked me to bring something that meant a lot to me and that represented something about why I quilt. And so, I brought this and the reason I brought it is I like the pattern, I like the colors, and the pattern is called Nosegay. And the nosegay is petals with flowers in them. And so here are the flowers [pointing to the quilt design.], the greenery, and if you come and look at the quilt, the flowers have petals quilted in them and the leaves have leaves quilted in them. There's a spray like baby's breath quilted in at the top. And again, if you'll come and look at it, the reason I chose this is that part of these fabrics are feed sacks. I have fond memories as a little boy going out to feed the chickens at my great aunt's and the chicken feed came in sacks that were printed. I just get a warm fuzzy feeling from it. I collect feed sacks; I have lots of them. I use them in quilts. So, it's a connection to my past and to a place that's long gone. So that's why I chose this quilt.
LR: So, what age did you start quiltmaking?
CB: I was in my, I guess, mid 20s.
LR: And how did you learn?
CB: I learned to sew as a child and then when I was a teenager I started making clothes. And I don't know if you all remember, but in the '50s and '60s it was very--it was just not the thing to do to quilt. Quilting almost died. And then in the late '60s and especially the early '70s, it started coming back and that's when I started quilting.
LR: And how do you use this quilt?
CB: I use it on the bed.
LR: And you plan to continue doing that?
CB: Yes.
LR: Good. [laughs.] What is your first memory of a quilt?
CB: My first memory is going to my great aunt's and going into her spare bedroom and it had her--the shades were drawn and the door was almost always closed and there was this really pretty quilt on the bed in there.
LR: Did you sleep under quilts?
CB: Yes.
LR: Do you remember what kinds of quilts they were?
CB: From one grandmother, they were quilts made out of wool. And from the other side, they were quilts made out of what was then the fabric to have, which was polyester [gasps and laughter from the audience.].
LR: And what do you find most pleasing about quiltmaking?
CB: A lot of things. To me putting together one of this [kind of quilt.] is like solving a puzzle. And I see this puzzle. Like the pieces go into the puzzle and it gets bigger and bigger. And I also like touching fabric. That's how I relate to the world is by touching it. And I like putting it together. I like quilting by hand. Quilting by machine I don't like but quilting by hand I like. And I quilted this quilt. [speaking to the audience.] If you want to look at it, you're welcome to have a look.
LR: And describe your studio at home.
CB: Downstairs we have a big room and one end of the room is my office and the other end is where the TV is, and in the middle of that big room is where I quilt. I have a table that the sewing machine is on when I quilt, and then another table beside it where the--like an assembly area is.
LR: And do you use a design wall?
CB: I tried it and it was too frustrating because it kept falling off [laughter from audience.]. So, I just put it on the floor. There's enough room I can put it on the floor and rearrange things--the blocks the way I want them and then pick them up in some order and sew them together.
LR: Well, Cliff, thank you very much for sharing part of your story with us today. And our interview was concluded at 12:03 p.m. Thank you very much. [applause from the audience.]
OHMS Object
OHMS Object Text
5.4 2019oh1304_qsosva0008 Interview with Cliff Bailey, January 8, 2008 2019oh1304_qsosva0008 qsosva Quilt Alliance’s Quilters' S.O.S.- Save Our Stories Oral History Project: Virginia Louie B. Nunn Center for Oral History, University of Kentucky Libraries Quilters Quilting. Quiltmakers Quiltmaking Quilts Quiltmaking process Quiltmaking purpose Home studio Nosegay pattern Fabric - Feedsack Hand quilting Cliff Bailey Le Rowell 0 https://nunncenter.aviaryplatform.com/embed/media/114038 Aviary audio 3 Introduction Uh, this is Le Rowell and today's date is January 8, 2008. Introduction of Quilters S.O.S. and interviewee, Cliff Bailey. The interview was held to display his quilt for the Day Alliance and in part of a series called " ; Quilts as Diplomacy." ; Quilters’ S.O.S. -- Save Our Stories ; Quilts as Diplomacy Quilters ; Quilting. ; Quiltmakers ; Quiltmaking ; Quilts 0 47 Nosegay quilt Um, tell us about the touchstone quilt you decided to bring today. Bailey has made a quilt that he's fond of, in part because of the nosegay pattern, use of colors, and feed sack fabric. He utilizes and collects feed sack materials for quiltmaking. Baby's breath ; Chicken feed ; Chickens ; Fabric - Feedsack ; Nosegay pattern Childhood ; Quilters ; Quilting. ; Quiltmakers ; Quiltmaking ; Quiltmaking process ; Quilts 0 162 Bailey's history of quiltmaking So what age did you start quiltmaking? Bailey describes his introduction to quilting by his family, and his reintroduction in his 20s. His family used several different kinds of fabric for quilts, but he mostly uses feed sacks. Aunts ; Everyday use ; Fiber - Polyester ; Fiber - Wool ; Grandmothers ; Hand quilting ; Home studio ; Quilt use Quilters ; Quilting. ; Quiltmakers ; Quiltmaking ; Quiltmaking purpose ; Quilts 0 269 What he likes about quilting And what do you find most pleasing about quiltmaking? Bailey's puzzle-like approach to quilting makes it interesting for him. Fabric ; Hand quilting ; Machine quilting ; Puzzles ; Touching Quilters ; Quilting. ; Quiltmakers ; Quiltmaking ; Quiltmaking process ; Quilts 0 309 Quilting studio And, um, describe your, uh, studio at home. Bailey describes his home studio. Assembly ; Home studio ; Offices ; Sewing machines ; Tables ; Televisions Quilters ; Quilting. ; Quiltmakers ; Quiltmaking ; Quiltmaking process ; Quilts 0 interview In this brief interview with Cliff Bailey, he describes a quilt that he has made that he's fond of, in part because of the nosegay pattern, use of colors, and feed sack fabric. He describes his introduction to quilting by his family, what he likes about quilting, and describes his home studio. No transcript. All rights to the Quilters' S.O.S. -- Save Our Stories (QSOS) oral history project, including but not restricted to legal title, copyrights and literary property rights, have been transferred from the Quilt Alliance to the University of Kentucky Libraries. Please contact the Louie B. Nunn Center for Oral History regarding rights pertaining to individual interviews. audio Interviews may only be reproduced with permission from Louie B. Nunn Center for Oral History, University of Kentucky Libraries. 0 https://nunncenter.net/ohms-spokedb/render.php?cachefile=2019oh1304_qsosva0008_bailey_ohm.xml 2019oh1304_qsosva0008_bailey_ohm.xml https://kentuckyoralhistory.org/ark:/16417/xt71hxqbqnd9j
Interview Keyword
Home studio
Nosegay pattern
Fabric - Feedsack
Hand quilting
Sort Priority
1
Collection
Citation
“Cliff Bailey,” Quilters' S.O.S. -- Save Our Stories, accessed October 15, 2026, https://qsos.quiltalliance.org/items/show/2646.