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Identifier Title Type Subject
KY40223-001Pam NeilOral History
Type:Oral History
AQATS19119-032Pam RuBertOral History
Type:Oral History
MI49106-047Pam Schultz Oral History
Type:Oral History
TX77063-001Pam ShusterOral History
Type:Oral History
TX76121-059Pam UpwardOral History
Type:Oral History
CANK7L3V4-001Pamela AllenOral History
Type:Oral History
Description:Pamela Allen began her career as an assemblage artist and eventually took up quilting. She considers quilting a type of art, and therefore views fabric as the medium she creates with. Because of Allen’s background as an artist she prides herself in her use of unconventional materials in her quilting. In her interview he talks about her autobiographical quilt “Grandmother’s Lullaby” to further describe her unique style. [show more]
TX76121-049Pamela LukeOral History
Type:Oral History
KY41522-012Pamela PraterOral History
Type:Oral History
2019oh0394_qsosdd0010
DC20002-009
Pansy Hector LovelaceQuilts
Quilting
Decorative arts
Textile artists
Needlework
Families
Crafts & decorating
Textiles
Voluntarism
Hobbies
Government contractors
Washington (D.C.)
Women
Subject:Quilts
Quilting
Decorative arts
Textile artists
Needlework
Families
Crafts & decorating
Textiles
Voluntarism
Hobbies
Government contractors
Washington (D.C.)
Women
Description:Evelyn Salinger interviews Pansy Hector Lovelace, a quilter living in Washington, D.C. Lovelace discusses her background and how she got into quilting. She then discusses her favorite quilts she has made and the quilt she features in the interview. She talks about aspects of quilting, including scrap quilting, machine sewing, and why she donates her quilts instead of showing or selling them. Lovelace discusses her quilting classes and advice for new quilters. She talks about her involvement in volunteer work and other projects, as well as quilting groups. [show more]
CA95415-14Paola SanchezOral History
Type:Oral History
AZ85250-DAR001Pat AnsellOral History
Type:Oral History
Description:Pat Ansell has been quilting since she was 14, but it did not become a passion for her until the 1990s. She belongs to multiple guilds including the Arizona Quilters’ Guild. Ansell views her quilt “Declaration of Independence” serves as a way preserving history for her family and future generations. [show more]
TX77010-058Pat ConnallyOral History
Type:Oral History
RI02903-003Pat DelaneyOral History
Type:Oral History
DE19958-002Pat HenryOral History
Type:Oral History
FL34106-006Pat KumicichOral History
Type:Oral History
FL34106-014Pat LaPierre McAfeeOral History
Type:Oral History
VA22801-003Pat LeonardOral History
Type:Oral History
NC28723-006Pat MeineckeOral History
Type:Oral History
VA20171-002Pat SloanOral History
Type:Oral History
MD20782-001Patricia Autenrieth
Description:Patricia Autenrieth is an experimental quiltmaker from Maryland. Before she began quiltmaking, she painted for 10 years with three solo exhibits in the span of a year. Although she enjoyed painting, she was not getting the validation she desired and went unfulfilled before she turned to quiltmaking, because of her background in sewing. She is known for her appliqué work, which includes both hand and machine appliqué. She enjoys experimental quiltmaking including image transfers, heat transfers, and use of non-conventional materials. [show more]
QSOS-016Patricia CampbellOral History
Type:Oral History
MN55435-001Patricia CoxOral History
Type:Oral History
NY14722-008Patricia KnableOral History
Type:Oral History
TX77010-013Patricia WrightOral History
Type:Oral History
QSOS-008Patty ClineOral HistoryQuilts.
Quilting--United States--Patterns.
Quiltmakers--United States.
Family.
Quilts--United States--Exhibitions.
Type:Oral History
Subject:Quilts.
Quilting--United States--Patterns.
Quiltmakers--United States.
Family.
Quilts--United States--Exhibitions.
Description:Patty Cline delves into her life as a quiltmaker. She talks about her design process as well as how she comes up with the ideas for her quilts. Her family's influence on her quiltmaking, her advice to novice quiltmakers, and the impact that quilting has had on her life is also discussed. She ventures into the awards she has won and how she wants to be remembered in life. [show more]
2019oh1318_qsosva0022
VA22801-011
Paula GoldenQuilting
Quiltmaker's club
Quilters
Quiltmakers
Quiltmaking
Quiltmaking purpose
Quilts
Subject:Quilting
Quiltmaker's club
Quilters
Quiltmakers
Quiltmaking
Quiltmaking purpose
Quilts
Description:Paula Golden says that the name of her quilt is "Dancing To My Spirit" and was inspired by a soapstone carving from the Inuit culture. She talks about the techniques she used in creating the quilt, as well as the things she learned during the process. She talks about the message of the quilt. Golden shares that she grew up overseas and lived in Germany for ten years. She says that traveling was a rich opportunity to learn about other cultures and countries. At 22, she tried to make her first quilt. She met her husband in 1980 and moved to Hawaii and took a Hawaiian quilting class. She talks about a quilt she created using a Hawaiian design. Golden was the recipient of the 2001 Teacher of the Year award from Professional Quilt Magazine. She says that she began teaching a year after taking a class in Hawaii and researched Hawaiian quilting. Golden has been on Jinny Beyer's staff since 1995. She talks about what makes a great quilt, the art of quilting, and quilting as a craft. She talks about her involvement in various quilters' groups and guilds. [show more]
QSOS-009Paula NadelsternOral HistoryKaleidoscope quilts
Quilting
Quiltmakers
Sewing
Sewing machines
Quilting--Patterns
Quilting--Vocational guidance
Quilting shops
Machine quilting
Type:Oral History
Subject:Kaleidoscope quilts
Quilting
Quiltmakers
Sewing
Sewing machines
Quilting--Patterns
Quilting--Vocational guidance
Quilting shops
Machine quilting
Description:Nadelstern considers herself a professional quilter, and she is known for her kaleidoscope quilts and the technique she invented to create them. She talks about how quilting started as a hobby that grew into a career. At multiple points, she talks about her obsession with fabric, and why it's so important to her. She also talks about fabric art and its need to be recognized as a legitimate art form. [show more]
AQSG-007Paulette LancasterOral History
Type:Oral History
KY41522-009Paulette RunyonOral History
Type:Oral History
NY14722-005Pauline Fisher Oral History
Type:Oral History
AR72758-001Pauline LaughlinOral History
Type:Oral History
2019oh0583_qsosiqf0067
QSOS_076
Pauline SalzmanQuiltmakers
Quilting
Portraits on quilts
Machine quilting
Quilting shops
African American quilts
Art commissions
Art--Commissioning
Appliqué
Subject:Quiltmakers
Quilting
Portraits on quilts
Machine quilting
Quilting shops
African American quilts
Art commissions
Art--Commissioning
Appliqué
Description:Pauline Salzman describes the quilted wall-hanging that she brought to the show and how she wants to redo aspects of it. She reflects on gender issues in quilting. For her, a good quilt must tell a story and be technically sound.
CT06060DAR-001Pauline ShawOral History
Type:Oral History
VT05819-028Pauline TaylorOral History
Type:Oral History
MI48824-001Pauline WolffOral History
Type:Oral History
BOQ-036Peg KeeneyOral History
Type:Oral History
UDEL-004Peg ReagleOral History
Type:Oral History
OH45069-002Peggie HartwellOral History
Type:Oral History
NE68850-002Peggy BrunsOral History
Type:Oral History
AFPBP-32Peggy MagesOral History
Type:Oral History