| KY40223-001 | Pam Neil | Oral History | |
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| AQATS19119-032 | Pam RuBert | Oral History | |
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| MI49106-047 | Pam Schultz | Oral History | |
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| TX77063-001 | Pam Shuster | Oral History | |
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| TX76121-059 | Pam Upward | Oral History | |
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| CANK7L3V4-001 | Pamela Allen | Oral History | |
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Type:Oral History |
Description:Pamela Allen began her career as an assemblage artist and eventually took up quilting. She considers quilting a type of art, and therefore views fabric as the medium she creates with. Because of Allen’s background as an artist she prides herself in her use of unconventional materials in her quilting. In her interview he talks about her autobiographical quilt “Grandmother’s Lullaby” to further describe her unique style. [show more]
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| TX76121-049 | Pamela Luke | Oral History | |
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| KY41522-012 | Pamela Prater | Oral History | |
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2019oh0394_qsosdd0010
DC20002-009 | Pansy Hector Lovelace | | Quilts Quilting Decorative arts Textile artists Needlework Families Crafts & decorating Textiles Voluntarism Hobbies Government contractors Washington (D.C.) Women |
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Subject:Quilts Quilting Decorative arts Textile artists Needlework Families Crafts & decorating Textiles Voluntarism Hobbies Government contractors Washington (D.C.) Women |
Description:Evelyn Salinger interviews Pansy Hector Lovelace, a quilter living in Washington, D.C. Lovelace discusses her background and how she got into quilting. She then discusses her favorite quilts she has made and the quilt she features in the interview. She talks about aspects of quilting, including scrap quilting, machine sewing, and why she donates her quilts instead of showing or selling them. Lovelace discusses her quilting classes and advice for new quilters. She talks about her involvement in volunteer work and other projects, as well as quilting groups. [show more]
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| CA95415-14 | Paola Sanchez | Oral History | |
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| AZ85250-DAR001 | Pat Ansell | Oral History | |
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Type:Oral History |
Description:Pat Ansell has been quilting since she was 14, but it did not become a passion for her until the 1990s. She belongs to multiple guilds including the Arizona Quilters’ Guild. Ansell views her quilt “Declaration of Independence” serves as a way preserving history for her family and future generations. [show more]
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| TX77010-058 | Pat Connally | Oral History | |
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| RI02903-003 | Pat Delaney | Oral History | |
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| DE19958-002 | Pat Henry | Oral History | |
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| FL34106-006 | Pat Kumicich | Oral History | |
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| FL34106-014 | Pat LaPierre McAfee | Oral History | |
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| VA22801-003 | Pat Leonard | Oral History | |
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| NC28723-006 | Pat Meinecke | Oral History | |
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| VA20171-002 | Pat Sloan | Oral History | |
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| MD20782-001 | Patricia Autenrieth | | |
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Description:Patricia Autenrieth is an experimental quiltmaker from Maryland. Before she began quiltmaking, she painted for 10 years with three solo exhibits in the span of a year. Although she enjoyed painting, she was not getting the validation she desired and went unfulfilled before she turned to quiltmaking, because of her background in sewing. She is known for her appliqué work, which includes both hand and machine appliqué. She enjoys experimental quiltmaking including image transfers, heat transfers, and use of non-conventional materials. [show more]
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| QSOS-016 | Patricia Campbell | Oral History | |
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| MN55435-001 | Patricia Cox | Oral History | |
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| NY14722-008 | Patricia Knable | Oral History | |
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| TX77010-013 | Patricia Wright | Oral History | |
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| QSOS-008 | Patty Cline | Oral History | Quilts. Quilting--United States--Patterns. Quiltmakers--United States. Family. Quilts--United States--Exhibitions. |
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Type:Oral History Subject:Quilts. Quilting--United States--Patterns. Quiltmakers--United States. Family. Quilts--United States--Exhibitions. |
Description:Patty Cline delves into her life as a quiltmaker. She talks about her design process as well as how she comes up with the ideas for her quilts. Her family's influence on her quiltmaking, her advice to novice quiltmakers, and the impact that quilting has had on her life is also discussed. She ventures into the awards she has won and how she wants to be remembered in life. [show more]
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2019oh1318_qsosva0022
VA22801-011 | Paula Golden | | Quilting Quiltmaker's club Quilters Quiltmakers Quiltmaking Quiltmaking purpose Quilts |
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Subject:Quilting Quiltmaker's club Quilters Quiltmakers Quiltmaking Quiltmaking purpose Quilts |
Description:Paula Golden says that the name of her quilt is "Dancing To My Spirit" and was inspired by a soapstone carving from the Inuit culture. She talks about the techniques she used in creating the quilt, as well as the things she learned during the process. She talks about the message of the quilt.
Golden shares that she grew up overseas and lived in Germany for ten years. She says that traveling was a rich opportunity to learn about other cultures and countries. At 22, she tried to make her first quilt. She met her husband in 1980 and moved to Hawaii and took a Hawaiian quilting class. She talks about a quilt she created using a Hawaiian design. Golden was the recipient of the 2001 Teacher of the Year award from Professional Quilt Magazine. She says that she began teaching a year after taking a class in Hawaii and researched Hawaiian quilting. Golden has been on Jinny Beyer's staff since 1995. She talks about what makes a great quilt, the art of quilting, and quilting as a craft. She talks about her involvement in various quilters' groups and guilds. [show more]
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| QSOS-009 | Paula Nadelstern | Oral History | Kaleidoscope quilts Quilting Quiltmakers Sewing Sewing machines Quilting--Patterns Quilting--Vocational guidance Quilting shops Machine quilting |
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Type:Oral History Subject:Kaleidoscope quilts Quilting Quiltmakers Sewing Sewing machines Quilting--Patterns Quilting--Vocational guidance Quilting shops Machine quilting |
Description:Nadelstern considers herself a professional quilter, and she is known for her kaleidoscope quilts and the technique she invented to create them. She talks about how quilting started as a hobby that grew into a career. At multiple points, she talks about her obsession with fabric, and why it's so important to her. She also talks about fabric art and its need to be recognized as a legitimate art form. [show more]
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| AQSG-007 | Paulette Lancaster | Oral History | |
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| KY41522-009 | Paulette Runyon | Oral History | |
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| NY14722-005 | Pauline Fisher | Oral History | |
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| AR72758-001 | Pauline Laughlin | Oral History | |
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2019oh0583_qsosiqf0067
QSOS_076 | Pauline Salzman | | Quiltmakers Quilting Portraits on quilts Machine quilting Quilting shops African American quilts Art commissions Art--Commissioning Appliqué |
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Subject:Quiltmakers Quilting Portraits on quilts Machine quilting Quilting shops African American quilts Art commissions Art--Commissioning Appliqué |
Description:Pauline Salzman describes the quilted wall-hanging that she brought to the show and how she wants to redo aspects of it. She reflects on gender issues in quilting. For her, a good quilt must tell a story and be technically sound.
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| CT06060DAR-001 | Pauline Shaw | Oral History | |
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| VT05819-028 | Pauline Taylor | Oral History | |
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| MI48824-001 | Pauline Wolff | Oral History | |
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| BOQ-036 | Peg Keeney | Oral History | |
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| UDEL-004 | Peg Reagle | Oral History | |
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| OH45069-002 | Peggie Hartwell | Oral History | |
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| NE68850-002 | Peggy Bruns | Oral History | |
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| AFPBP-32 | Peggy Mages | Oral History | |
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